Rare out-of-print CDs, as legal downloads?

 A few years ago I read an article somewhere that said record labels were preparing to make a lot of their out-of-print albums available for sale as mp3 downloads.  This was exciting news to me, and visions of the Iron City Houserockers, Payola$, and Fleshtones catalogs were dancing in my head.  

I don’t know the legal ramifications of such a thing (would the labels need to have the approval of each individual artist, for instance?), but it seemed like a can’t-lose proposition to me:  no inventory, no warehouses, no handling, no freight costs… 

Heck, after royalties, and whatever fees they’d have to pay to iTunes or whatever, every cent would be company profit.  Right?  I couldn’t see a downside, and prepared for the coming data dump.

And nothing happened…

Every once in a while I checked the sites, and didn’t find much.  What the hell, man?  Where were my promised rarities?  I know a person can obtain almost anything illegally, but I was/am willing and eager to do it on the up and up.

So, what gives?  What happened to the plans detailed in the article I read?  Why aren’t labels offering every single album they own the rights to, as mp3s?  Even if they only sell fifty copies of each per year, it would be found money.

I’d pretty much given up on it, figuring some shitbox in a suit ruined all our fun (yet again).  But a few days ago I happened upon something that gives me hope.

One of the most sought-after CDs on my various want-lists is The Right to Be Italian by Holly and the Italians.  It’s a semi-obscure gem from the early-’80s New Wave/punk era, and was only available on CD for roughly fifteen minutes.  As I type this, a used copy is available through Amazon – for $179.98.

But check this out.  Has the dump finally begun?!  I still don’t see any of the old Fleshtones albums from the IRS years, but this is undeniably a good sign.

My nipples are exploding with delight.

REM To Release 25th Anniversary Edition of Murmur

 Twenty-five years??  Man, that’s disturbing.  If I’d purchased a twenty-fifth anniversary edition of a record, back when I first started getting into music, it would’ve been from the pre-rock era. 

So, theoretically, a budding young hipster of today might look at this iconic album the same way we looked at Nat King Cole, or Patti Page, or Rosemary Clooney.  I can’t imagine such a thing, but the numbers don’t lie.

Despite my hard-charging decrepitude, however, I’ll be picking up this CD, with enthusiasm.  The live recording sounds like an essential artifact, and I’m in urgent need of a remastered version of the main album.

Murmur, of course, is one of the great touchstones of alternative rock, and the soundtrack to an especially happy part of my life. I’m looking forward to enjoying it again, all fancied-up.

Now, will somebody please help me change my sack?

DVR Alert! Parallel Worlds, Parallel Lives

On Tuesday evening PBS will air the BBC documentary Parallel Worlds, Parallel Lives.  It is an excellent film, about Eels frontman Mark Everett’s search for information about his deceased, math genius father.  I know, it sounds a little odd, and it is.  But I saw it prior to an Eels show in Philadelphia earlier this year, and even though the sound was fairly distorted and terrible, I was engrossed.

So, if you’re an Eels fan, or even if you aren’t, check it out.  I’m looking forward to seeing it again, for the very first time.  Or something.

Scheduled air dates:

Tuesday October 21, 8:00 pm
Saturday October 25, 3:00 pm
Tuesday October 28, 4:00 am

Or watch it online, starting October 22.

Also, Everett’s autobiography was (finally) released in the U.S. last week, and it’s mighty good, as well.